The Art of Climate Change

This story was originally published by University of Miami here on April 22, 2016.

UM faculty and alumni are harnessing the power of art and communication techniques to highlight climate change issues across a variety of media.

Dry riverbeds. Lone polar bears on drifting ice sheets. Coastal cities ravaged from stronger hurricanes.

Artists and communicators are making climate change visible and visceral as a way to compel people into action. They are distilling complicated science into visual storylines that evoke emotion while conveying the threats of climate change or the hope of human ingenuity to save the planet.

What struck University of Miami alumnus Nate Dappen, Ph.D. ’12, most during a 2013 journey through equatorial Africa was the disappearance of a vertical mile of ice off the glacial Rwenzori mountain range, a scene the filmmaker and photographer captured in the award-winning film Snows of the Nile.

Dappen, who studied evolution and ecology, and creative partner Neil Losin, both academics turned artists, filmed and produced their expedition through the Rwenzori range known as the “Mountains of the Moon” with their company, Day’s Edge Productions.

The duo also filmed and produced a one-hour documentary, Islands of Creation, which aired on the Smithsonian Channel in 2015. The film featured UM evolutionary biologist Albert Uy, in the Department of Biology at the College of Arts and Sciences, and his cutting-edge research on speciation in the Solomon Islands.

Dappen and Losin aim to produce visually stunning images and film to help amplify the voices of people, animals, and ecosystems that would otherwise never be heard. Through pervasive visual storytelling, Dappen hopes to accumulate his drops in the ocean of change, eventually reaching a critical mass by chipping away at the collective consciousness.

Throughout history, Dappen explains, those that are part of civil rights, social and environmental movements “fight up against the tide of opposition and it doesn’t seem like change is ever going to happen, until all of a sudden it does.”

UM faculty are also studying how visualization techniques are used to tell stories and build social movement momentum.

Michelle Seelig is fascinated by how multimedia is used to advocate for a cause. Her latest book, Communicating the Environment Beyond Photography, examines how visualization, particularly photography, has been used to not only document nature as it is, but to also motivate the public to protect it.

Inspired by her love for famed environmental photographer Ansel Adams, Seelig, an associate professor in the School of Communication, studies how communicating environmental concerns such as climate change can often be overwhelming to audiences.

“It’s not that people don’t believe the science,” she says, “it’s that they’re so overwhelmed by it and they disengage.”

The key, she says, is communicating problems and their solutions locally so that people feel vested. This helps empower people to solve a seemingly insurmountable problem such as climate change by taking concrete steps in their everyday lives.

For her recent book, Seelig surveyed media and communication tactics used by over 30 organizations that work to spur action in combating climate change. One organization, 350 Earth, uses public art for social movements, such as a 2010 event that drew over a thousand people to stand in the dry Santa Fe Riverbed.

Prolific environmental and science artist Xavier Cortada, B.A. ’86, M.P.A. ’91, J.D. ’91, knows a thing or two about the power of visualization.

Cortada uses various forms of media to convey the gravity of important social and environmental issues such as climate change. Now an artist-in-residence at the FIU College of Architecture + The Arts and the FIU College of Arts & Sciences School of Environment, Arts and Society, Cortada has created several participatory eco art projects in Florida, including a mangrove reforestation project, a wildflower garden planting initiative, and an urban habitat reforestation effort.

Cortada has also produced art on every single continent, including a 2007-2008 piece entitled Longitudinal Installation in the North and South Poles.

A fiercely proud three-time UM alumnus, Cortada has been connected to the University for more than three decades and owes his unique artistic perspective to his interdisciplinary studies at UM, ranging from biology to law and social justice issues.

While in the green zone in Cyprus in the Mediterranean, Cortada first began using art to communicate environmental concepts by showing fighting Turks and Greeks how nature connects us all.

“We are one ecosystem, one biology, one DNA,” he says.

This sense of our whole world being interconnected is portrayed through most of Cortada’s artwork, as is a strong hope for the future. Cortada strives to encourage school-age children to engage in science and eco art. After all, he says, children are our future.

Story and photo by Jessica M. Castillo

About the photo: Part of the We are HERE installation exhibition by artist Jenna Efrein that was on display at the University of Miami Art Gallery located at the Wynwood Building in March 2017. The exhibition highlighted the damaging effects of water pollution on the natural habitat of South Florida, including the Everglades ecosystem. Up-cycled bottle glass is used to represent the flora, fauna and water issues engulfing a South Florida environment under destruction.

Next Story: Aboard the F.G. Walton Smith
Previous Story: Language and the Negotiation of Identities
Copyright © 2022 Jessica Michelle Castillo. All rights reserved.